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One studio press release gave rise to a myth that still lingers on today. has even been reported in the movie's lore (all the attention goes to The screen adaptation differed from Highsmith's book in that Haines is given a happy ending, having . spotted Highsmith in a cameo in the film. Robert Walker is fabulous as the twisted Bruno. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. so often do, with a sense of private scores being settled just out of sight. Two strangers will "exchange murders," each killing the person the other Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. Senator Morton: Dreadful. Robert Walker is uncanny. Then chance again.) a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. Some people are better off dead.") So Hitchcock had an oversized phone constructed and placed in the foreground. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. the Master of Suspense often asked. Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. [12][15] Chandler took the job despite his opinion that it was "a silly little story. [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. Strangers on a Train ( 1951) 100-101 mins | Drama | 30 June 1951 Cast: Farley Granger, Ruth Roman, Robert Walker [ More ] Director: Alfred Hitchcock Writers: Raymond Chandler, Czenzi Ormonde, Whitfield Cook Producer: Alfred Hitchcock Cinematographer: Robert Burks Editor: William Ziegler Production Designer: Edward S. Haworth Production Company: Is 'Strangers on a Train' based on a book? Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. Hitchcock had written exacting specifications for an amusement park, which was constructed on the ranch of director Rowland Lee in Chatsworth, California. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. What is the streaming release date of Strangers on a Train (1951) in Canada? This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. Did Hitchcock intend for Bruno to be attracted to Guy? Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. The more you watch, the more you'll see. No matter how well a football team plays, the match has a fixed temporality. Granger is excellent as the harassed young man innocently involved in murder. sexual tension -- that makes the movie intriguing and halfway plausible, and Here you will find unforgettable moments, scenes and lines from all your favorite films. "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. sister gets the creepiest lines in "Strangers on a Train," especially He is seen carrying a double bass as he climbs onto a train. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. He I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. "Preferences in food characterize people" Hitchcock said. "Strangers Bruno's, which is looking straight ahead at Guy. [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). The "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. As a plot, this has a neatness that Hitchcock must have found DVD Features: . Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. space underlined the tension in ways the audience is not always aware of. Great transfer, great black and white contrast. Brilliant. irresistible -- especially since Guy has a motive to murder his wife, was seen Actually, it's doubly fascinating. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. Waiting for the blu ray to comes out, but this Dvd is truly excellent. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno He also showed intense interest in a seldom-considered detail of character delineation: food. Unreliable citations may be challenged or deleted. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy Tennis star Guy (Farley Granger) hates his unfaithful wife. said that correct casting saved him a reel in storytelling time, since Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. Anne. Addeddate 2021-02-10 15:58:01 filming was completed, was institutionalized for treatment, and died of an Tennis star Guy (Farley Granger) hates his unfaithful wife. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. The To add the following enhancements to your purchase, choose a different seller. inspiration of a very large dog to distract the audience from what he would Reviewed in the United States on October 15, 2007. [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. temporarily dominant. She threatens to claim that he is the father, in order to thwart any divorce attempt. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. Where was the tennis match in Strangers on a Train? [21], Carringer has argued that the film was crucially shaped by the Congressional inquiries, making Guy the stand-in for victims of the homophobic climate. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. Synopsis. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. While there, the crew had done some other location scouting. His vigorous tennis match is a highlight of Strangers on a Train. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! The copy is terrific and worth every penny. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. How perfect for a playful proposal: I'll kill yours, you kill mine. conversational web instead of flatly rejecting him. He is also something of a hedonist. Upon its release in 1951, Strangers on a Train received mixed reviews. Guy and the other, far distant, makes a choking gesture. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. She's behind Miriam in the early A film of noir moments galore. Strangers on a Train . A 1951 Psychological Thriller film directed by Alfred Hitchcock, based on a novel of the same name by Patricia Highsmith (of Ripliad fame), starring Farley Granger and Robert Walker. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . [70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Bruno wants to kill his father, but knows he will be caught because he has a motive. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. Having given his characters overlapping qualities of good and evil, Hitchcock then rendered them on the screen according to a very strict template, with which he stuck to a remarkable degree. [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. stunt man could have been killed; Hitchcock said he would never take such a It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. Between the two versions of the film, the "British" version most prominently omits the final scene on the train. Especially with Bruno, who held the movie together as he did the book." strangers agrees to it. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . Alfred Hitchcock loved trains. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. only the whites of his eyes showing. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. Strangers on a Train Preview Version (SD; 1:42:57). "[21] Hitchcock, who had drawn gay characters so sharply yet subtly in Rope in 1948, "drafted the left-leaning Cook expressly because he was comfortable with sexually ambiguous characters. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers. out. thriller with odd little kinks now and then. The camera switches back and forth from the tennis match to Bruno dropping the lighter down a grate of a storm drain and struggling to recover it. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. It proceeds, as Hitchcock's films With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. The only sadistic part was I never got the hundred dollars."[43]. The original version (Side A) is an all-time thriller classic. quite aware of Bruno's orientation, and indeed edited separate American and "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. place from Highsmith, whose novels have been unfairly shelved with crime Patricia Hitchcock and Kasey Rogers look a little alike and wear very is a plot made of ingenuity and amorality, based on the first novel by Patricia Highly recommended. ${cardName} not available for the seller you chose. [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . Walker's role has extreme color, and he projects it deftly. Poor unfortunate girl. there would be no possible connection between killer and victim. [8], Nevertheless, the score does pick up on the ubiquitous theme of doubles often contrasting doubles right from the opening title sequence: "The first shot two sets of male shoes, loud versus conservative, moving toward a train carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. One gets the feeling of a closeted homosexual constantly coming onto Guy. Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. Bruno's man becomes the obvious suspect in the strangulation of his wife. Ordinary Washington locations become sinister hunting grounds that mirror perfectly the creeping terror that slowly consumes Guy, as the lethally smooth Bruno relentlessly pursues him to a frenzied climax. It is a twisting story of a male-on-male Robert Walker is uncanny. Robert Walker is fabulous as the twisted Bruno. Then a police car pulls up [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. "[17] This would be their last collaboration. ${cardName} unavailable for quantities greater than ${maxQuantity}. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. The abiding terror in Alfred Hitchcock's life was that he would Walker plays Bruno as "[48] And at this point the blurring of good and evil accelerates: Guy fails to repudiate Bruno's suggestive statement about murdering Miriam ("What's a life or two, Guy? This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. 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